![]() The typical white painted bricks and the large banks of paned, angled glass windows on both sides of the entrance make a statement about the original owners-we know who we are. In the Fulton home Georgian design elements are combined with other historic styles. 1990) The Fulton residence is an example of this approach to design. that obeys no rules and requires few, but boldly stated architectural features.” (Stephen Calloway. The style, made popular by English social commentator Osbert Lancaster, was “not so much a style as a decorative game. February 2010) In the 1930s Williams’ hybrid approach to design was known as Vogue Regency. ![]() When Williams designed the Fulton home he was already recognized as a gifted designer of “quiet elegance” with an ability to synthesize different revival style elements to create something fresh and new for each client-a “unique Southern California residential architecture.” ( Architectural Digest. In 1936 they contacted Paul Williams to design a new residence in Beverly Hills. The Fultons were a busy couple who needed a larger home to host friends and business associates. Her activities were frequently mentioned in the Chatterbox column of the Los Angeles Times and her picture appeared in the pages of the Los Angeles Examiner. Her home became the backdrop for formal club teas and luncheons as well as bridal showers, intimate “afternoons” for friends and parties for debutants. ![]() ( California and Californians.1930)Īs a young matron with an ambitious, successful husband, Fritizi was active in philanthropic service organizations such as the Personal Services Associates and the Guild of Children’s Home Society. Through his work Fulton formed relationships with many of the important industrialists of the time including Edward Libby, founder of Libby Glass Works in Ohio. Originally established by Robert Raphael, the company supplied plate glass, ornamental windows and beveled glass for many of the buildings constructed in the city’s growing downtown business district. Fulton was an owner/manager of Raphael Glass Company of Los Angeles. and Fritizi Fulton, featured in the August 1939 issue of the magazine One of these was the Beverly Hills home of Robert J. Williams’ residential projects for Architectural Digest. Empty of people, his photographs resembled movie sets with carefully arranged furniture, waiting for the owners to arrive and begin living. His dramatically lighted images of the impeccably decorated homes of Hollywood personalities and anonymous socialites were the decorating manuals for generations of aspiring middle class readers. Frequently his photographs are the only surviving record of the collaborative work of the century’s best residential architects with important interior designers. Parker worked for the most influential design magazines of the 20th century.
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